Darkness on the Edge of Town

The record after the lawsuit: leaner and angrier than Born to Run, with guitar solos in place of most saxophone solos.
Bruce Springsteen, 1978

Released
2 June 1978
Recorded
June 1977 to March 1978
Studio
New York City
Label
Columbia
Producer
Bruce Springsteen, Jon Landau

Springsteen sued Mike Appel in July 1976 and could not record for almost a year. The case settled on 28 May 1977, when he bought out his contract. He toured meanwhile and reportedly wrote between 40 and 70 songs, drawing on John Steinbeck, John Ford, Hank Williams and Woody Guthrie, and taking note of the Sex Pistols and the Clash. He wanted a leaner and angrier sound than Born to Run. Guitar solos took the place of most saxophone solos, and Clemons plays one on only three of the ten tracks.

Released on 2 June 1978 with minimal promotion at his request, it reached number five in America, stayed on the chart for 167 weeks and sold more than three million copies. Prove It All Night reached number 33 and Badlands number 42. Dave Marsh hailed it in Rolling Stone, and NME named it its album of 1978. The Darkness Tour followed, 112 concerts and his largest to that point. Keith Cameron of the Guardian wrote that it remains the bedrock of the Springsteen legend.

Track listing

  1. Badlands4:01
  2. Adam Raised a Cain4:32
  3. Something in the Night5:12
  4. Candy's Room2:45
  5. Racing in the Street6:52
  6. The Promised Land4:24
  7. Factory2:17
  8. Streets of Fire4:03
  9. Prove It All Night3:57
  10. Darkness on the Edge of Town4:28

Personnel

More from Bruce Springsteen

Greetings from Asbury Park, N.J. (1973), The Wild, the Innocent & the E Street Shuffle (1973), Born to Run (1975), The River (1980), Nebraska (1982), Born in the U.S.A. (1984), Tunnel of Love (1987), The Ghost of Tom Joad (1995), The Rising (2002)

Sources

  1. Darkness on the Edge of Town, Wikipedia
  2. Darkness on the Edge of Town (release), MusicBrainz