Street Hassle
A mix of live tapes and studio recordings made with binaural microphones, with an eleven-minute title suite.
Lou Reed, 1978
- Released
- February 1978
- Studio
- Record Plant, New York City
- Label
- Arista
- Producer
- Richard Robinson and Lou Reed
Street Hassle is the first commercially released pop album to use binaural recording, in which a mannequin head with a microphone in each ear stands in for the listener. The system was developed by Manfred Schunke of Delta Acoustics. The album combines live concert tapes recorded in West Germany, with the audience muted from the mix, and studio recordings. Arista told Reed in August 1977 that releasing a live album was not an option, which began the studio phase in New York.
Arista president Clive Davis encouraged him to expand the title song into a three-part suite of 10:53. Bruce Springsteen, who was working downstairs, sang the line "Tramps like us, we were born to pay" at Reed's request in one or two takes, and was not credited because of his own label's policy. Rolling Stone's Tom Carson called the album the best solo record Reed had made. Robert Christgau was lukewarm, and the Record Mirror's Tim Lott called it a creative nadir.
Track listing
- Gimmie Some Good Times3:15
- Dirt4:43
- Street Hassle10:53
- I Wanna Be Black2:55
- Real Good Time Together3:21
- Shooting Star3:11
- Leave Me Alone4:44
- Wait3:13
Personnel
- Lou Reed guitar, bass, piano, vocals, producer
- Stuart Heinrich guitar
- Michael Fonfara piano on I Wanna Be Black and Shooting Star
- Marty Fogel saxophone
- Steve Friedman bass on Leave Me Alone
- Michael Suchorsky drums
- Aram Schefrin string arrangement
- Genya Ravan backing vocals
- Bruce Springsteen spoken word on Street Hassle: Slipaway
- Richard Robinson producer
- Rod O'Brien engineer, mixing
- Manfred Schunke engineer of live recordings
More from Lou Reed
Transformer (1972), Berlin (1973), Rock 'n' Roll Animal (1974), Metal Machine Music (1975), New York (1989)
Sources
- Street Hassle, Wikipedia