Grotesque (After the Gramme)

The first album on Rough Trade and the first with drummer Paul Hanley, a number one on the UK Independent Chart.
The Fall, 1980

Released
17 November 1980
Studio
Cargo Studios, Rochdale, and Street Level, London
Label
Rough Trade
Producer
The Fall, Grant Showbiz, Geoff Travis and Mayo Thompson
Length
41:07

Grotesque (After the Gramme) was the Fall's first studio album for Rough Trade and the first with drummer Paul Hanley, Steve Hanley's younger brother. It was recorded at Cargo Studios in Rochdale and at Street Level in London. The group produced it with Grant Showbiz, Geoff Travis and Mayo Thompson, and manager Kay Carroll played kazoo on "New Face in Hell". The colour sleeve, the group's first, was drawn by Smith's sister Suzanne.

Two acclaimed singles, "How I Wrote 'Elastic Man'" and Totally Wired, came before it and appear on CD reissues. Smith called the music "Country 'n' Northern". "The N.W.R.A." stands for "The North Will Rise Again". Al Spicer said "The Container Drivers" shatters the stereotype of the noble trucker.

It went to number one on the UK Independent Chart and spent 29 weeks there.

Reception

Johnny Waller of Sounds called it "rock n' roll with a conscience", and Robert Christgau likened it to poetry readings with two-chord backing. Joe Gross, in The New Rolling Stone Album Guide, named it "the first truly great Fall album". Billboard ranked it fifth among the group's albums in 2018.

Track listing

  1. Pay Your Rates3:01
  2. English Scheme1:56
  3. New Face in Hell5:38
  4. C'n'C-S Mithering7:36
  5. The Container Drivers3:06
  6. Impression of J. Temperance4:20
  7. In the Park1:43
  8. W.M.C. - Blob 591:21
  9. Gramme Friday3:18
  10. The N.W.R.A.9:08

Personnel

More from The Fall

Live at the Witch Trials (1979), Dragnet (1979), Hex Enduction Hour (1982), This Nation's Saving Grace (1985), The Infotainment Scan (1993)

Sources

  1. Grotesque (After the Gramme), Wikipedia
  2. The Fall (band), Wikipedia
  3. 10 Songs That Defined the Fall and Mark E. Smith, Pitchfork (2018-01-24)