Carole King
A songwriter at Aldon Music in the early 1960s who became a solo star with Tapestry, which spent 15 weeks at number one in 1971.
- Origin
- Brooklyn, New York, United States
- Years active
- 1958-present
- Genres
- singer-songwriter, pop, soft rock
- Labels
- ABC-Paramount, Ode, Capitol, Atlantic, Rockingale
- Also known as
- Carol Klein
Brooklyn to Aldon Music
Carole King was born Carol Joan Klein in Manhattan on 9 February 1942. Her mother taught her piano, and at four she was found to have absolute pitch. At James Madison High School in Brooklyn she formed a band called the Co-Sines, changed her name, and made demos with Paul Simon. Her first official record, the promotional single The Right Girl, came out on ABC-Paramount in 1958.
At Queens College she met Gerry Goffin. After Neil Sedaka's hit Oh! Carol showed her that songwriting could be a career, the two joined the staff at Aldon Music. King wrote the music and Goffin the words. Their Will You Love Me Tomorrow, recorded by the Shirelles in 1960, was the first number one by a black girl group. More followed: The Loco-Motion, Up on the Roof for the Drifters, One Fine Day for the Chiffons, Pleasant Valley Sunday for the Monkees and (You Make Me Feel Like) A Natural Woman for Aretha Franklin. Her own 1962 single It Might as Well Rain Until September reached 22 in the United States and 3 in Britain.
Laurel Canyon
By 1968 King had moved to Laurel Canyon in Los Angeles, where she formed the City with the bassist Charles Larkey and the guitarist Danny Kortchmar. They made one album, Now That Everything's Been Said, and disbanded in 1969. King's reluctance to perform live limited its promotion. She met James Taylor and Joni Mitchell, and in May 1970 released her first solo album, Writer, on Lou Adler's Ode label, with Taylor on acoustic guitar. It reached 84 on the Billboard chart.
Tapestry
Tapestry came out on 10 February 1971, produced by Adler. It was recorded that January at A&M Studios while Taylor was making Mud Slide Slim and the Blue Horizon with many of the same musicians, and Mitchell was making Blue in Studio C. King wrote or co-wrote every song. It opened with I Feel the Earth Move, and Toni Stern supplied the words to It's Too Late. King also remade two old Goffin and King numbers, Will You Love Me Tomorrow? and (You Make Me Feel Like) A Natural Woman, and sang So Far Away and You've Got a Friend. Taylor's own recording of the last became his only number one.
The album spent 15 consecutive weeks at number one in the United States and stayed on the charts for over 300 weeks. At the 1972 Grammy Awards it won album of the year, record of the year, song of the year and best female pop vocal. King was the first woman to win song of the year. In Rolling Stone, Jon Landau called it an album of surpassing personal intimacy and musical accomplishment. The Library of Congress added it to the National Recording Registry in 2003. It has sold around 25 million copies.
The rest of the decade
Music followed in December 1971 and was certified gold days after release. It reached number one on 1 January 1972, and the two albums sat in the top ten together for weeks. Rhymes & Reasons went to number two in 1972, and Fantasy reached number six in 1973. On 26 May 1973 she played a free concert in New York's Central Park for at least 100,000 people.
Wrap Around Joy (1974) became her third number one album, with Jazzman reaching number two as a single. Thoroughbred in 1976 was her last studio album for Ode, and she reunited with Goffin to write four of its songs. Simple Things in 1977 was her first album since Tapestry to miss the top ten.
Later years and honors
King moved to Idaho in 1977. She made City Streets for Capitol in 1989, and in 2000 re-recorded Where You Lead as the theme for Gilmore Girls. In 2010 she toured with Taylor on the Troubadour Reunion Tour, which sold more than 700,000 tickets.
She received the Library of Congress Gershwin Prize in 2013, the first woman to win it, and the Kennedy Center Honors in December 2015. On 3 July 2016 she played Tapestry in full for the first time, at Hyde Park in London, and the Guardian called it her first UK concert in 27 years. Beautiful: The Carole King Musical opened on Broadway in January 2014 and ran for 2,418 performances. She entered the Rock and Roll Hall of Fame in 1990 with Goffin as a non-performer, and in 2021 as a solo artist.
Records
- Writer 1970 · Ode
Her solo debut, made with Taylor and Kortchmar and overlooked until Tapestry pulled it onto the chart.
- Tapestry 1971 · Ode
Her second solo album: 15 weeks at number one, four Grammys and a place in the National Recording Registry.
- Music 1971 · Ode
The follow-up to Tapestry reached number one on 1 January 1972, while its predecessor was still in the top ten.
- Rhymes & Reasons 1972 · Ode
Her fourth album reached number two and gave her Been to Canaan.
- Wrap Around Joy 1974 · Ode
Her third number one album, with Jazzman a number two single.
Songs
- It's Too Late Tapestry · 1971
King's music to Toni Stern's words, the double A-side that took Tapestry to the top of the singles chart.
- I Feel the Earth Move Tapestry · 1971
The opening track of Tapestry, released first as the A-side of the lead single.
- You've Got a Friend Tapestry · 1971
Written during the Tapestry sessions and recorded in the same weeks by both King and James Taylor.
- So Far Away Tapestry · 1971
A song of distance written on the road, with James Taylor on acoustic guitar.
- Will You Love Me Tomorrow? Tapestry · 1971
The Shirelles' number one of 1960, remade by its composer on Tapestry at a slower pace.
- (You Make Me Feel Like) A Natural Woman Tapestry · 1971
Written for Aretha Franklin in 1967 and sung by King four years later on Tapestry.
Related artists
James Taylor, Joni Mitchell, Aretha Franklin, The Shirelles
Where to go next
Official
- Carole King The official site, with catalogue, photographs and news.
Reference
- Carole King, Rock and Roll Hall of Fame The inductee page, with the 2021 induction by Taylor Swift.
- National Recording Registry: Tapestry The Library of Congress registry entry for the album.
- Carole King on Wikipedia Biography, discography and awards.
- Tapestry on Wikipedia Production, chart and award history of the album.
- Will You Love Me Tomorrow on Wikipedia The Shirelles original, King's remake and the cover versions.
Discography and data
- Beyond Tapestry, The Guardian Alexis Petridis on five other King albums.
Writing and criticism
- Carole King: Tapestry, Pitchfork Jenn Pelly's long Sunday Review of the album, with detail on the sessions.
- Tapestry, Rolling Stone Jon Landau's review from 1971, which also covers Writer.
- 50 years of Carole King's Tapestry James Taylor, Roberta Flack, Tori Amos and others on the album's anniversary.
- Carole King, The Guardian The Guardian's archive of news, reviews and interviews.
Interviews
- Carole King on rewriting One, The Guardian A 2018 interview about her new version of One and returning to the Tapestry studio.
Live performance archives
- Carole King at Hyde Park, The Guardian A review of the first complete live performance of Tapestry in 2016.
Sources
- Carole King, Wikipedia
- Carole King: Tapestry, Pitchfork (2019-12-22)
- Tapestry, Rolling Stone (1971)
- 'It shook me to my core': 50 years of Carole King's Tapestry, The Guardian (2021-02-12)
- Carole King review, British Summer Time, The Guardian (2016-07-04)
- Carole King on rewriting One, The Guardian (2018-10-29)
- National Recording Registry: Tapestry, Library of Congress