hypersongs

Arthur Russell

An Iowa-born cellist and songwriter who worked in New York's downtown scenes, from minimalist composition to disco, under a dozen names, and who left more than a thousand recordings.

Origin
Oskaloosa, Iowa; New York City
Years active
1951-1992
Genres
avant-garde, mutant disco, art pop, minimalist, folk
Labels
Sire, West End, Sleeping Bag, Rough Trade, Point Music, Audika
Also known as
Dinosaur, Dinosaur L, Loose Joints, Indian Ocean, Killer Whale, Charles Arthur Russell Jr.

Iowa to the Kitchen

Charles Arthur Russell Jr. was born in Oskaloosa, Iowa on May 21, 1951 and died in New York on April 4, 1992, aged 40, of an AIDS-related illness. His father, a former naval officer, became mayor of Oskaloosa. At 18 Russell moved to San Francisco, lived in a Buddhist commune and studied North Indian classical music at the Ali Akbar College of Music. In 1973 he moved to New York, enrolled at the Manhattan School of Music and took classes at Columbia.

In 1974 and 1975 he was musical director of The Kitchen, the downtown performance space, where he booked the Modern Lovers and Talking Heads. He played cello and sang in a band called The Flying Hearts, recorded by John Hammond, and made sessions with Allen Ginsberg in 1977 that were later released as Ballad of the Lights. In 1976 he discovered disco at Nicky Siano's Gallery.

Under every name

He recorded as Dinosaur and Dinosaur L, Loose Joints, Indian Ocean, Killer Whale and others. Kiss Me Again on Sire, as Dinosaur L, was a club hit in 1977 by Wikipedia's account, though other sources say 1978. In 1980 Loose Joints put out Is It All Over My Face, Pop Your Funk and Tell You Today on West End; Larry Levan's remix made Is It All Over My Face a hit, and Russell saw virtually no royalties. In 1981 he co-founded Sleeping Bag Records with Will Socolov, and in 1983 made Tower of Meaning on Philip Glass's label Chatham Square. In 1985 Socolov rejected an album called Corn and Russell left the label.

In 1986 he released the 12-inch Let's Go Swimming and the album World of Echo, on Upside in the US and on Rough Trade in the UK in March 1987, and was diagnosed HIV-positive soon after. The Arts Desk's extract from Tim Lawrence's biography says dance 12-inch singles outsold his non-dance releases. Another Thought, on Glass's Point Music, was the first posthumous album, and the estate label Audika began excavating the archive in 2004 with Calling Out of Context and a World of Echo remaster, followed by First Thought Best Thought in 2006, Love Is Overtaking Me in 2008, Corn in 2016 and more after that.

The archive

Russell left roughly 1,500 to 1,600 reel-to-reel tapes along with cassettes. The New York Public Library for the Performing Arts acquired the collection in 2016, and the Brooklyn Academy of Music mounted an exhibition, Do What I Want, in 2017. His partner Tom Lee runs the estate. Philip Glass said Russell saw earlier than most that the walls between concert, popular and avant-garde music were unnecessary; Allen Ginsberg called the work Buddhist bubblegum; and Kyle Gann wrote that Russell simply vanished into his own music.

Matt Wolf's 2008 documentary Wild Combination: A Portrait of Arthur Russell and Tim Lawrence's 2009 book Hold On to Your Dreams are the standard accounts. Dev Hynes, James Murphy and the Lemon Twigs have cited him, and James Blake named his label after a planned Russell album, 1-800-Dinosaur.

Records

Songs

Sources

  1. Arthur Russell (musician), Wikipedia
  2. World of Echo, Wikipedia
  3. 30 Hours, Wikipedia
  4. A comprehensive guide to the Arthur Russell catalog, Bandcamp Daily (2017-10-23)
  5. Being Isn't Certain: Arthur Russell's World of Echo at 35, KEXP (2021-06-22)
  6. Echo in Eternity: the indelible mark of Arthur Russell, Stereogum
  7. Growing Echo: Arthur Russell, Loud and Quiet
  8. The Archiving of Arthur Russell, Red Bull Music Academy Daily (2017-05)
  9. Hold On to Your Dreams (extract), The Arts Desk