Portrait in Jazz
The first studio album by the LaFaro and Motian trio.
Bill Evans Trio, 1960
- Released
- 1960
- Recorded
- 28 December 1959
- Studio
- Reeves Sound Studios, New York City
- Label
- Riverside
- Producer
- Orrin Keepnews
Portrait in Jazz was Evans's fifth album as leader and the first of two studio records with LaFaro and Motian. It was released in mono and stereo editions, each with a different take of Autumn Leaves. Jack Higgins engineered it. The trio promoted LaFaro's bass from an accompanying instrument to one of almost equal status with the piano.
Someday My Prince Will Come had been used as a jazz vehicle two years before by Dave Brubeck and stayed in Evans's repertoire to the end of his career. Peri's Scope was named for his girlfriend Peri Cousins, who said the recording made her feel immortal. The closing Blue in Green was credited to Davis and Evans, and Evans said it was his tune even though Davis was credited on Kind of Blue.
Scott Yanow called the album a gem at AllMusic. Danny Eccleston of Mojo wrote that at its least great it is merely brilliant. Shadwick said it set the blueprint for every subsequent working trio Evans would run. A 2008 remaster added alternate takes.
Track listing
- Come Rain or Come Shine3:24
- Autumn Leaves6:00
- Witchcraft4:37
- When I Fall in Love4:57
- Peri's Scope3:15
- What Is This Thing Called Love?4:36
- Spring Is Here5:09
- Someday My Prince Will Come4:57
- Blue in Green5:25
Personnel
- Bill Evans piano
- Scott LaFaro double bass
- Paul Motian drums
- Orrin Keepnews producer
- Jack Higgins engineer
More from Bill Evans Trio
Sunday at the Village Vanguard (1961), Explorations (1961), Waltz for Debby (1962)
Sources
- Portrait in Jazz, Wikipedia
- Bill Evans discography, Jazz Discography Project
- Paul Motian, Wikipedia