The Who
A London band that began as mods with a three-minute anthem and grew into rock opera, the loudest concerts on record and some of the most played songs in rock.
- Origin
- London, England
- Years active
- 1964-present
- Genres
- rock, hard rock, power pop
- Labels
- Brunswick, Decca, Reaction, Track, Polydor, MCA, Warner Bros., Atco, Virgin, Universal, Geffen
- Also known as
- The Detours, The High Numbers
Acton to Maximum R&B
Roger Daltrey, Pete Townshend and John Entwistle grew up in Acton, west London, and went to Acton County Grammar School. Daltrey founded a band called the Detours in 1959. In 1964 it became the High Numbers under the manager Peter Meaden, then went back to the name Daltrey had chosen in February of that year: the Who. Keith Moon, who had replaced Doug Sandom, completed the line-up.
Their first hit, I Can't Explain, came out in Britain in January 1965 and peaked at number eight that April, with Shel Talmy producing and Jimmy Page playing on the B-side. Townshend called it straightforward Kinks copying. A dispute with Talmy sent the band to Robert Stigwood's Reaction label. My Generation, released on 29 October 1965, went to number two in Britain, still their highest British chart placing. The debut album, My Generation, followed in December, made fast and later judged by the band to miss their live sound.
Pop art, then opera
Singles such as Substitute, which reached number five in March 1966, I'm a Boy and Happy Jack filled the year, and A Quick One closed with a nine-minute mini-opera. In 1967 they played the Monterey Pop Festival and appeared on the Smothers Brothers Comedy Hour, where Moon's bass drum exploded at the end of My Generation. I Can See for Miles became their biggest American hit, and The Who Sell Out wrapped the songs in fake radio commercials and jingles.
Tommy, released in May 1969, told the story of a deaf, dumb and blind boy who becomes a pinball champion. It reached number two in Britain and number four in the United States, and produced Pinball Wizard. The band played it at Woodstock and the Isle of Wight, and in 1970 became the first rock act at the Metropolitan Opera House in New York. Live at Leeds, taped on 14 February 1970, is the one live album by the classic line-up.
Lifehouse and Quadrophenia
Townshend's next big idea, Lifehouse, was abandoned, but eight of the nine songs on Who's Next came from it. After unsatisfactory sessions in New York, they re-recorded with Glyn Johns in London. It is the only Who album to reach number one in Britain, and it holds Baba O'Riley, Behind Blue Eyes and Won't Get Fooled Again.
Quadrophenia, a double album from October 1973, reached number two on both sides of the Atlantic, closing with Love, Reign o'er Me. Bill Curbishley took over management from Kit Lambert and Chris Stamp. The Tommy film premiered in 1975, and Townshend was nominated for an Oscar for the score. The band set a record for the largest indoor concert at the Pontiac Silverdome that December, and a show at Charlton on 31 May 1976 made the Guinness book as the loudest concert.
After Moon
Moon played his last public gig with the band at Maple Leaf Gardens in Toronto on 21 October 1976. Who Are You came out on 18 August 1978, and Moon died on 7 September. Kenney Jones, formerly of the Small Faces, took over the drums and the band made Face Dances and It's Hard before splitting in 1983. They played Live Aid in 1985 and were inducted into the Rock and Roll Hall of Fame in 1990 by U2.
Zak Starkey joined the drum stool for the 1996 Quadrophenia tour. Entwistle died in Las Vegas on 27 June 2002, the day before the band's first American date of a tour. Daltrey and Townshend carried on, releasing Endless Wire in 2006, receiving the Kennedy Center Honors in 2008, playing the Super Bowl halftime show in 2010 and releasing Who in 2019. In 2025 they toured North America under the title The Song Is Over, billed as their last.
The band is cited as an influence on hard rock, punk, power pop and mod bands. It is credited with pioneering feedback and power-chord technique, the rock opera format and the smashing of equipment on stage, and with helping to develop the Marshall stack and large PA systems. Its use of synthesizers on Baba O'Riley and Won't Get Fooled Again was early for rock. Introducing them at the Hall of Fame, U2 called them the window-breaking, earth-quaking, soul-shaking Who.
Members
- Roger Daltrey lead vocals, harmonica (1964-present)
- Pete Townshend guitar, keyboards, vocals (1964-present)
- John Entwistle bass, French horn, brass, vocals (1964-2002)
- Keith Moon drums (1964-1978)
- Kenney Jones drums (1978-1983)
- Zak Starkey drums (1996-2025)
Records
- My Generation 1965 · Brunswick
The debut: James Brown covers, Townshend's first originals, and the title track that defined the band.
- A Quick One 1966 · Reaction
Each member contributed songs, and the album ends on a nine-minute suite.
- The Who Sell Out 1967 · Track
A pirate-radio concept album, full of jingles and fake adverts, that holds I Can See for Miles.
- Tommy 1969 · Track
The rock opera: a double album about a deaf, dumb and blind pinball champion.
- Live at Leeds 1970 · live · Track
Six tracks from one night in Leeds, the only live album by the classic line-up.
- Who's Next 1971 · Track
The rescue of the abandoned Lifehouse project, and the Who's only British number one album.
- Quadrophenia 1973 · Track
A second double-album opera, built around Townshend's home synthesizer recordings.
- Who Are You 1978 · Polydor
The last album with Keith Moon, released three weeks before he died.
Songs
- My Generation My Generation · 1965
The stuttering anthem that went to number two in Britain and became one of their most played songs.
- I Can See for Miles The Who Sell Out · 1967
Their highest American chart placing, and the only single from The Who Sell Out.
- Pinball Wizard Tommy · 1969
The Tommy song written to win over a critic, and the one that became the opera's calling card.
- Baba O'Riley Who's Next · 1971
A looping organ, a violin and a Lifehouse leftover that became the band's most famous opening.
- Behind Blue Eyes Who's Next · 1971
The villain's theme from Lifehouse, quiet until the band comes in.
- Won't Get Fooled Again Who's Next · 1971
The Lifehouse finale, driven by a synthesizer pulse, and the Who's most played song.
- Love, Reign o'er Me Quadrophenia · 1973
The closing song of Quadrophenia, subtitled Pete's Theme, and the one that ends with Daltrey's scream.
Related artists
Small Faces, The Rolling Stones, Elton John, Pearl Jam
Where to go next
Official
- The Who: Who's Next Release history, tracklist, deluxe edition details and credits.
Reference
- Rock and Roll Hall of Fame: The Who The 1990 induction page, with U2's introduction.
- The Who The master article on the band.
- The Who Sell Out A detailed account of the sessions.
- Tommy Session dates and tracklist.
- Live at Leeds Reissue tracklists and the Hull backstory.
- Won't Get Fooled Again Session dates, synthesizer technique and live history.
Discography and data
- MusicBrainz: The Who The canonical artist record, MBID 9fdaa16b-a6c4-4831-b87c-bc9ca8ce7eaa.
Writing and criticism
- Louder Sound: back to Leeds The band's 2006 return to the Leeds Refectory and the plaque.
- theartsdesk: The Story of Tommy Nik Cohn's review and how it led to Pinball Wizard.
Interviews
- Mix: Baba O'Riley, Classic Tracks Glyn Johns on recording at Olympic Studio A, with the console, microphones and Lowrey organ.
Live performance archives
- setlist.fm: most played Who songs Play counts for every song across the touring history.
- The Who Live, 23 November 1973, Forum, Inglewood An Internet Archive audio recording from the Quadrophenia tour.
Film and video
- Amazing Journey: The Story of The Who Details of the 2007 documentary by Murray Lerner and Paul Crowder.
Fan sites and communities
- thewho.net A long-running fan site with a dated archive of events and period press such as the Melody Maker review of Tommy.
Sources
- The Who, Wikipedia
- The Who, Rock and Roll Hall of Fame
- Who's Next, The Who
- The Who's Baba O'Riley, Classic Tracks, Mix
- The Who: back to Leeds, Louder Sound
- The Story of Tommy, BBC Four, theartsdesk