Tom Waits
The Californian singer and songwriter who began as a piano-bar storyteller, remade himself in 1983 with banged-together junkyard instruments, and has kept that gravel-voiced, theatrical sound ever since.
- Origin
- Pomona, California, United States
- Years active
- 1969-present
- Genres
- experimental, rock, blues, jazz
- Labels
- Asylum, Island, Anti-
The Asylum years
Thomas Alan Waits was born on 7 December 1949 in Pomona, California, and grew up in Whittier and Chula Vista. He started at the Heritage coffeehouse in San Diego, where he worked the door in 1969, then played the Troubadour in Los Angeles, where Herb Cohen signed him in 1971 and David Geffen brought him to Asylum. Closing Time, produced by Jerry Yester, came out on 6 March 1973 and did not chart in the United States. Stephen Holden of Rolling Stone called it a remarkable debut album, and the Eagles covered Ol' '55 on On the Border the following year.
Bones Howe produced the albums that followed, beginning with The Heart of Saturday Night in 1974. Nighthawks at the Diner (1975) was recorded live in a Los Angeles studio over two nights in July 1975, with tables, a bar and an invited audience, because Howe and Herb Cohen wanted to bring out the jazz in Waits. Small Change (1976) was his first charting record, reaching number 89 in the US, and opens with Tom Traubert's Blues. Foreign Affairs (1977) brought a duet with Bette Midler, and Blue Valentine followed in 1978. Heartattack and Vine (1980), with its fuzz-guitar title track, was his last album for the label.
Starting over at Island
Waits married Kathleen Brennan in August 1980, and she became his co-writer and co-producer. In 1982 he scored Francis Ford Coppola's One from the Heart. Asylum then declined to release his next record, and Chris Blackwell of Island approached him instead. Swordfishtrombones (1983) was the first album Waits produced himself. He wrote it on a two-week trip to Ireland, and Brennan introduced him to Captain Beefheart and Harry Partch. It used banjo, accordion, bass marimba, calliope and harmonium, and Waits described the sound as all different, with no saxophones. NME ranked it the second-best album of 1983, and Spin named it the second-greatest album of all time in 1989.
Rain Dogs (1985) followed, written over about two months in a basement room in Manhattan and recorded at RCA in New York. Keith Richards and Marc Ribot, who was working with Waits for the first time, played on it. It carries Jockey Full of Bourbon and Downtown Train, and it went Gold in the US, the UK and Canada. NME named Rain Dogs album of the year, and Rolling Stone made Waits its Songwriter of the Year. Franks Wild Years (1987), drawn from a Chicago stage musical, completed what is called the Frank's Wild Years trilogy. In 1988 Waits sued Frito-Lay over a Doritos ad that used a singer imitating him on Step Right Up, and he won a settlement of $2.6 million in 1992.
Bone Machine
Bone Machine (1992) was made in a cement-floored cellar at Prairie Sun in Cotati, California, nicknamed the Waits Room. It was the first Waits album on which he played drums and percussion extensively, and it won the Grammy for Best Alternative Music Album. The Black Rider, a 1993 album of songs from a theatre piece made with director Robert Wilson and William S. Burroughs, came next. That year Levi's used Screamin' Jay Hawkins's cover of the title track of Heartattack and Vine in a jeans advert against Waits's wishes. He sued in a European court and won, and Levi's published an apology in Billboard.
Anti- and after
When his Island contract expired he signed with Anti-, an Epitaph offshoot he called a friendly place. Mule Variations, released on 16 April 1999, won the Grammy for Best Contemporary Folk Album. Alice and Blood Money arrived together in 2002, Real Gone was recorded in an abandoned schoolhouse in Locke, California, and Orphans collected 54 songs on three discs in 2006. The Glitter and Doom tour of 2008 produced a live album the next year. Bad as Me reached number 6 in the US in 2011, the year he entered the Rock and Roll Hall of Fame with Neil Young giving the induction speech.
Island's Swordfishtrombones, Rain Dogs, Bone Machine and other titles were reissued in 2023 under his and Brennan's supervision. Waits has also acted in films including Domino, Seven Psychopaths and The Ballad of Buster Scruggs. Barney Hoskyns tells his story in the unauthorised biography Lowside of the Road, and setlist.fm lists 874 of his shows between 1970 and 2022.
Records
- Closing Time 1973 · Asylum
The debut: piano-bar ballads that the Eagles borrowed from before the public had noticed him.
- The Heart of Saturday Night 1974 · Asylum
A sequence of songs about American nightlife, and the start of his long partnership with Bones Howe.
- Nighthawks at the Diner 1975 · live · Asylum
A jazz-club set recorded in a studio: two nights of monologues, long stories and a quartet, played to an invited crowd.
- Small Change 1976 · Asylum
His first charting album, cut direct to two-track stereo with a jazz rhythm section and strings.
- Foreign Affairs 1977 · Asylum
A duet with Bette Midler and a black-and-white movie look on his fifth album.
- Blue Valentine 1978 · Asylum
A rougher, guitar-led record that opens with a West Side Story cover.
- Heartattack and Vine 1980 · Asylum
His last Asylum album: a fuzz-guitar title track beside Jersey Girl and Ruby's Arms.
- Swordfishtrombones 1983 · Island
The turning point: his first self-produced record, built from marimba, harmonium, banjo and brass.
- Rain Dogs 1985 · Island
Nineteen short songs from the streets of New York, with Keith Richards, Marc Ribot and Ralph Carney.
- Franks Wild Years 1987 · Island
The third of the Frank records, built from songs for a Chicago stage musical.
- Bone Machine 1992 · Island
Recorded in a cellar with Waits on drums and percussion, it won the Grammy for Best Alternative Music Album.
- The Black Rider 1993 · Island
Songs for Robert Wilson's stage show, with William S. Burroughs on lyrics and one vocal.
- Mule Variations 1999 · Anti-
His first album for Anti-, and his highest US placing until Bad as Me.
- Alice 2002 · Anti-
Songs from the Hamburg stage show about Lewis Carroll and Alice Liddell, released a decade after the play.
- Blood Money 2002 · Anti-
Songs for Wilson's Woyzeck, with a calliope.
- Real Gone 2004 · Anti-
Piano-free, beatboxed and political, recorded in an abandoned schoolhouse.
- Orphans: Brawlers, Bawlers & Bastards 2006 · compilation · Anti-
Fifty-six songs on three discs: rock and blues, ballads, and spoken word.
- Bad as Me 2011 · Anti-
His first top-10 album in the US, and his first all-new set in seven years.
Songs
- Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen) Small Change · 1976
A penniless man in a foreign city, drinking away what he has, set to the tune of Waltzing Matilda.
- Heartattack and Vine Heartattack and Vine · 1980
The fuzz-guitar title track, named after a Hollywood corner, that Levi's tried to borrow for jeans.
- Jersey Girl Heartattack and Vine · 1980
A love song for his wife that Bruce Springsteen made a fixture of his own shows.
- Jockey Full of Bourbon Rain Dogs · 1985
A rumba-paced first single from Rain Dogs that turned up in two films and a long list of covers.
- Downtown Train Rain Dogs · 1985
A Rain Dogs ballad that became a top-three hit for Rod Stewart.
- Ol' '55 Closing Time · 1973
The opening track and lead single of Closing Time, named for his 1955 Buick Roadmaster.
- Step Right Up Small Change · 1976
A carnival barker's pitch for an unnamed miracle product, and the song behind the Frito-Lay case.
Related artists
Keith Richards, Bruce Springsteen, Captain Beefheart, Rod Stewart, Frank Zappa
Where to go next
Reference
- Tom Waits A long biography with era-by-era sections and the legal fights.
- Rock Hall: Tom Waits The 2011 induction page.
Discography and data
- Tom Waits discography Every release with labels and chart peaks.
- Nighthawks at the Diner Tracklist, personnel and the story of the session.
- Heartattack and Vine Sessions, personnel and where the songs ended up.
- Swordfishtrombones The 1983 turning point, with instruments and charts.
- Rain Dogs The most complete album article, with personnel and reception.
- Bone Machine The Waits Room sessions and critical quotes.
- Orphans: Brawlers, Bawlers & Bastards Full tracklist of all three discs, with where each song came from.
- The Black Rider The play, the Burroughs lyrics and the two recording sessions.
Writing and criticism
- Treble: Rain Dogs review Ernest Simpson's 2004 track-by-track reading.
- Diffuser: Bone Machine A retrospective on the Prairie Sun sessions.
- Rock and Roll Globe: Bone Machine turns 30 Jim Allen on the guests and individual tracks.
- uDiscover Music: the 2023 Island reissues Formats and mastering credits for the reissues.
- Pitchfork: Rain Dogs Mark Richardson's 2025 Sunday Review, on the drums, the New York band and Downtown Train.
- Pitchfork: the Asylum albums reissued Stephen M. Deusner on the first seven albums, Closing Time to Heartattack and Vine.
- The Guardian: the Frank trilogy, forty years on Players and fans on Swordfishtrombones, Rain Dogs and Franks Wild Years, including Thom Yorke and Jim Jarmusch.
Interviews
- Library Journal on Tom Waits on Tom Waits A review of the collected interviews.
- The Guardian: Marc Ribot interview Ribot on joining Waits for Rain Dogs and on his live band.
Live performance archives
- setlist.fm: Tom Waits 874 setlists from 1970 to 2022, with most-played statistics.
Sources
- Tom Waits, Wikipedia
- Tom Waits discography, Wikipedia
- Tom Waits, Rock and Roll Hall of Fame
- Tom Waits setlists, setlist.fm
- Five Tom Waits Island Records titles out now, uDiscover Music
- Tom Waits: Closing Time to Heartattack and Vine reissues, Pitchfork (2018-03-24)
- Tom Waits and the Frank trilogy, forty years on, The Guardian (2023-08-20)