Tim Buckley
An American singer-songwriter who moved from folk rock through jazz and the avant-garde to funk across nine studio albums, and died at 28 in 1975.
- Origin
- Washington, D.C., United States
- Years active
- 1966-1975
- Genres
- folk rock, psychedelia, jazz, avant-garde, funk
- Labels
- Elektra, Straight, Warner Bros., DiscReet
Orange County to Elektra
Timothy Charles Buckley III was born in Washington, D.C., on 14 February 1947, and his family moved to Bell Gardens in southern California in 1956. At Loara High School in Anaheim he befriended Larry Beckett, his future lyricist, and the bass player Jim Fielder, and with them formed two groups, the Bohemians and the Harlequin 3. In February 1966 the Mothers of Invention drummer Jimmy Carl Black recommended him to the Mothers' manager Herb Cohen, who found him a booking at the Night Owl Cafe in Greenwich Village. A demo disc sent to Elektra's owner Jac Holzman brought a contract, and in August 1966 Buckley recorded his self-titled debut, Tim Buckley, in three days.
Goodbye and Hello followed in 1967. Elektra gave the group free rein, Beckett supplied lyrics such as No Man Can Find the War, and the album peaked at 171 on the Billboard chart, better than the debut. Holzman even rented advertising space on the Sunset Strip for him. In 1968 Buckley sang Song to the Siren on the final episode of The Monkees.
Jazz and the voice
Beckett was drafted, and Buckley developed his own style, calling the jazz and blues rock he was associated with white thievery and an emotional sham. He drew on Charles Mingus, Thelonious Monk, Roland Kirk and the vocalist Leon Thomas. He toured Europe twice in 1968 and appeared on John Peel's Top Gear on the BBC. A London concert at the Queen Elizabeth Hall on 7 October 1968, with Danny Thompson on bass, later appeared as Dream Letter: Live in London 1968. Happy Sad, released in April 1969, was built around David Friedman's vibraphone, ran to much longer songs and had lyrics Buckley wrote himself. It reached 81, his highest chart position.
Through 1969 he wrote for three albums at once, inspired by the singer Cathy Berberian and the composers Luciano Berio and Iannis Xenakis. Blue Afternoon was his first self-produced record and his debut for Straight, the label of Cohen and Frank Zappa. Lorca alienated his folk audience. Starsailor, his avant-garde record, held Song to the Siren and was a critical and commercial failure on release.
Funk
In 1970 Buckley disbanded his Starsailor group and assembled a funk band. The result was Greetings from L.A., recorded at Far Out Studios in Hollywood and released in August 1972, with sexually frank lyrics that stood in the way of airplay. Sefronia, produced by Denny Randell, followed in 1973, and Look at the Fool, his ninth and last studio album, came out on DiscReet in September 1974. In 1975 he began playing revamped songs from across his career, leaving out Starsailor and Lorca.
After
He finished a short tour with a sold-out show in Dallas on 28 June 1975, and died the next evening, aged 28. He was in debt, owning only a guitar and an amplifier. The coroner's report gave the cause of death as acute heroin, morphine and ethanol intoxication. His son Jeff, who was 8 and had met him once, was not invited to the funeral, and in 1991 sang I Never Asked to Be Your Mountain at a tribute concert for his father in Brooklyn.
In September 1983 This Mortal Coil released Song to the Siren as their debut single, and it reached 3 on the British independent chart. The Guardian counted 24 covers of it by 2011 and said Ivo Watts-Russell had tracked down Buckley's deleted albums. Pitchfork wrote in 2016 that his legacy continues to fly under the radar, because he recorded and toured so constantly and never built a big fanbase. Books include David Browne's Dream Brother (2001) and Lee Underwood's Blue Melody (2002).
Records
- Tim Buckley 1966 · Elektra
The debut, made in three days at 19, with strings by Jack Nitzsche.
- Goodbye and Hello 1967 · Elektra
The second album: late-1960s poetry, Beckett's lyrics and a long title suite, and a first chart entry at 171.
- Happy Sad 1969 · Elektra
Six long songs with vibraphone and congas: his jazz turn, and his best-charting album at 81.
- Lorca 1970 · Elektra
Five free-form pieces named for the Spanish poet, recorded in the same month as Blue Afternoon.
- Starsailor 1970 · Straight
His most uncompromising record, with Song to the Siren and a cult that grew after his death.
- Greetings from L.A. 1972 · Warner Bros.
The funk record: a new band, strings on the closer and lyrics that kept it off the radio.
- Dream Letter: Live in London 1968 1990 · live
A concert with Danny Thompson on bass, recorded in concert at the Queen Elizabeth Hall.
Songs
- Song to the Siren Starsailor · 1970
Written in 1967, recorded three years later, and made famous by a 1983 cover.
- Once I Was Goodbye and Hello · 1967
The first song on side two of Goodbye and Hello, with harmonica by Henry Diltz.
- Buzzin' Fly Happy Sad · 1969
Written in his high-school days, and the song that turns up most often in his logged setlists.
- Dream Letter Happy Sad · 1969
An ode and an apology to his former wife and their son.
- Move With Me Greetings from L.A. · 1972
The opener of Greetings from L.A., with two saxophonists and three vocalists.
Related artists
Jeff Buckley, This Mortal Coil, Fred Neil, Captain Beefheart, Miles Davis
Where to go next
Official
- The Tim Buckley Archives The website of the Estate of Tim Buckley.
Reference
- Tim Buckley Biography and full discography.
- Blue Afternoon The 1969 album, his first self-produced record.
- Sefronia The 1973 album, with credits and critical reception.
- Look at the Fool The 1974 final studio album.
- Larry Beckett The lyricist of Song to the Siren.
- Lee Underwood The guitarist who played with Buckley for most of his career.
Writing and criticism
- Trouser Press: Tim Buckley A retrospective guide to the albums, one by one.
- The Guardian: Song to the Siren's irresistible tang The story of the song, with Larry Beckett and the artists who covered it.
- The Guardian: Tim Buckley The newspaper's index of its Buckley articles.
- Pitchfork: Lady, Give Me Your Key A 2016 review that also surveys his career.
- Pitchfork: Live at the Folklore Center, NYC A 2009 review of the 1967 solo concert.
- Pitchfork: The Best of Tim Buckley A 2006 review of a single-disc compilation.
Fan sites and communities
- Tim Buckley Music A fan site organized by decade, with indexes of moods and keywords.
Sources
- Tim Buckley, Wikipedia
- Tim Buckley, Trouser Press
- Song to the Siren's irresistible tang, The Guardian (2011-11-17)
- Lady, Give Me Your Key: The Unissued 1967 Solo Acoustic Sessions, Pitchfork (2016-11-09)
- Live at the Folklore Center, NYC, March 6, 1967, Pitchfork (2009-08-11)
- The Best of Tim Buckley, Pitchfork (2006-10-12)