Whatever
The solo debut: Mellotron, Optigan and 12-string guitar behind songs about Epic, exes and a Fourth of July.
Aimee Mann, 1993
- Released
- 1993
- Studio
- Q Division, Capitol, Clubhouse, Blue Jay, Bearsville, Zeitgeist, Sunset Sound and Presence
- Label
- Imago
- Producer
- Aimee Mann, Tony Berg, Michael Hausman and Jon Brion
Mann made her first solo album after the end of 'Til Tuesday and a three-year standoff with Epic, which would not release her from her contract. She recorded it with Jon Brion, who had played with the last touring version of 'Til Tuesday. Mann found working with him exciting and felt her songwriting improved. She said she was listening to the Kinks, the Zombies and Squeeze, and to anything with a Mellotron and a 12-string electric guitar. The sessions were spread across studios including Q Division, Sunset Sound and Bearsville, where it was mixed, with Bob Clearmountain mixing and Bob Ludwig mastering.
The route to release was messy. Giant, one of Irving Azoff's labels, wanted to sign her but asked for a more established producer, so Mann and Brion recorded songs with Tony Berg, and only one of them, I Could Hurt You Now, made the album. Azoff then pulled out. Mann and Brion finished the record themselves, paid for by her manager at the time, and it landed on the small independent Imago.
The instrumentation is crowded and unusual. Brion plays piano, Mellotron, Chamberlin, Optigan, vibraphone and kazoo among much else, and Roger McGuinn adds 12-string guitar and vocals to Fifty Years After the Fair. Jim Keltner plays drums on three songs, and strings arranged by Jimmie Haskell appear on Mr. Harris. Three videos were made, for I Should've Known, Stupid Thing and Say Anything.
It earned positive reviews. The Los Angeles Times said Mann mixed words like a master, quoting the Fourth of July lines about a waste of gunpowder and sky. The Independent's Andy Gill said the weird Sixties tape keyboards gave the album a distinct flavor, slurred and woozy, and that the tension between her direct lyrics and the complexity of the music gave it its charge. Robert Christgau picked Mr. Harris as a choice cut. Sales fell short of expectations, with 170,000 copies sold in the United States by 2001. Pitchfork placed it at number 143 on its list of the best albums of the 1990s, and it appears in the book 1001 Albums You Must Hear Before You Die.
Track listing
- I Should've Known4:54
- Fifty Years After the Fair3:46
- 4th of July3:21
- Could've Been Anyone4:23
- Put Me On Top3:28
- Stupid Thing4:27
- Say Anything4:57
- Jacob Marley's Chain3:01
- Mr. Harris4:05
- I Could Hurt You Now4:17
- I Know There's a Word3:16
- I've Had It4:42
- Way Back When3:56
Personnel
- Aimee Mann vocals, bass, electric and acoustic guitar, pump organ, Mellotron, percussion
- Jon Brion producer, drums, bass, guitar, piano, Mellotron, Chamberlin, Optigan, organs, vibraphone, vocals
- Michael Hausman producer, drums, percussion
- Tony Berg producer
- Jim Keltner drums
- Milt Sutton drums
- Buddy Judge vocals, acoustic guitar
- Roger McGuinn 12-string electric guitar, vocals
- Jimmie Haskell string arrangement
- Bob Clearmountain mixing
More from Aimee Mann
Magnolia: Music from the Motion Picture (1999), Bachelor No. 2 or, the Last Remains of the Dodo (2000), Lost in Space (2002)
Sources
- Whatever (Aimee Mann album), Wikipedia
- Aimee Mann on her early solo albums, Stereogum (2018)
- Aimee Mann: Whatever, Los Angeles Times (1993-05-23)
- Records: Aimee Mann, The Independent (1993-08-26)
- Consumer Guide, The Village Voice (1994-03-01)
- The Best Albums of the 1990s, Pitchfork