Dusty Springfield
A London-born singer who went from a folk trio to the British Invasion, made Dusty in Memphis in 1969, and came back in 1987 with Pet Shop Boys.
- Origin
- West Hampstead, London, England
- Years active
- 1958-1995
- Genres
- pop, soul, blue-eyed soul
- Labels
- Philips, Mercury, Atlantic, ABC Dunhill, United Artists, Parlophone
- Also known as
- Mary O'Brien, Mary Isobel Catherine Bernadette O'Brien
From Mary O'Brien to Dusty
Dusty Springfield was born Mary O'Brien in West Hampstead, London, on 16 April 1939, and grew up in High Wycombe and then Ealing. In 1958 she joined a vocal trio, the Lana Sisters, and in 1960 she left to form the Springfields with her brother Dion, who became Tom Springfield, and Reshad Feild, whom Mike Hurst replaced in 1962. The folk-pop trio took their name from a field in Somerset where they rehearsed one spring. NME readers voted them top British vocal group in 1961 and 1962, and their biggest hits, Island of Dreams and Say I Won't Be There, both reached number five in 1963.
A solo star
The Springfields played their last concert in October 1963. Her first solo single, I Only Want to Be with You, came out in November, reached number four in Britain and twelve in the United States, and was played on the first ever Top of the Pops on 1 January 1964. Her debut album, A Girl Called Dusty, followed that April. It was mostly covers of songs she loved and reached number six, though it was never issued in America. In 1964 Wishin' and Hopin' went to six in the United States, and I Just Don't Know What to Do with Myself went to three in Britain.
She presented Ready Steady Go! and in April 1965 hosted a Motown special that gave the Temptations, the Supremes, Martha and the Vandellas, the Miracles and Stevie Wonder their first British television appearances. Ev'rything's Coming Up Dusty reached number six that autumn. In March 1966 You Don't Have to Say You Love Me reached number one in Britain and number four in the United States, and it became her signature song. She hosted her own BBC series from 1966. The Look of Love, which she first recorded for the 1967 spoof James Bond film Casino Royale, was nominated for an Academy Award for Best Original Song. Dusty... Definitely (1968) reached number 30 in Britain and was not released in the United States.
Memphis
In 1968 she signed to Atlantic Records for the United States, the label of Aretha Franklin, on condition that she work with Jerry Wexler. With Wexler, Arif Mardin and Tom Dowd producing, she recorded at American Sound Studio in Memphis with the Sweet Inspirations and the Memphis Boys. The sessions were hard on her. She later said she feared comparison with the soul singers who had worked in the same rooms, and her final vocals were recorded in New York. Dusty in Memphis came out on 31 March 1969, and its single Son of a Preacher Man reached number nine in Britain and ten in the United States. The album itself reached only 99 in the United States and did not chart in Britain.
Its standing grew slowly. Robert Christgau called it a pop standard and classic in 1973. Rolling Stone ranked it 89th on its 2003 list of the 500 greatest albums, it entered the Grammy Hall of Fame in 2001, and in 2020 the Library of Congress added it to the National Recording Registry.
Wilderness and return
Commercial success did not follow. A Brand New Me (1970) featured songs written and produced by Gamble and Huff, and in 1972 she signed to ABC Dunhill for Cameo. By 1974 she had put her solo career on hold and was living in the United States, and from 1971 to 1986 she failed to register a hit from five album releases, apart from a minor 1979 chart appearance in Britain. Then in 1987 Pet Shop Boys asked her to sing on What Have I Done to Deserve This?, which reached number two on both sides of the Atlantic. They went on to write and produce Nothing Has Been Proved and In Private for her, and both are on Reputation (1990), which reached number 18 in Britain. Her last live singing performance was on Later with Jools Holland on 30 June 1995.
She was diagnosed with breast cancer in 1994 and died at Henley-on-Thames on 2 March 1999, aged 59. She was inducted into the Rock and Roll Hall of Fame two weeks after her death, with Elton John saying he thought she was the greatest white singer there ever has been. Quentin Tarantino used Son of a Preacher Man in Pulp Fiction in 1994. PopMatters' Eric Klinger said Dusty in Memphis became a blueprint for British female singers of the 2000s, among them Adele and Amy Winehouse.
Records
- A Girl Called Dusty 1964 · Philips
Her debut solo album: mostly favorite covers, with a few Motown-influenced numbers and her first Bacharach and David songs.
- Ev'rything's Coming Up Dusty 1965 · Philips
Her second album: show tunes, Goffin and King, Randy Newman and a concert favorite, La Bamba.
- Dusty... Definitely 1968 · Philips
With her first production credit, a loud side and a quiet side.
- Dusty in Memphis 1969 · Atlantic (United States), Philips (Britain)
Soul-pop recorded in Memphis with Wexler, Dowd and Mardin: a commercial disappointment that came to be widely admired.
- Reputation 1990 · Parlophone
Her first studio album in eight years, made largely with Pet Shop Boys.
Songs
- I Only Want to Be with You 1963
Her first solo single, a Wall of Sound pop record that opened the first Top of the Pops.
- I Just Don't Know What to Do with Myself 1964
A Bacharach and David song she carried back from New York and took to number three in Britain.
- Wishin' and Hopin' A Girl Called Dusty · 1964
A Bacharach and David song first cut by Dionne Warwick, which became her first big American hit.
- You Don't Have to Say You Love Me 1966
An Italian Sanremo ballad with new English words, forty-seven takes in a stairwell, and her only British number one.
- Son of a Preacher Man Dusty in Memphis · 1968
Written with Aretha Franklin in mind, recorded in Memphis, and turned into Springfield's defining performance.
- What Have I Done to Deserve This? 1987
The Pet Shop Boys duet that brought her back to the top of the charts.
Related artists
Aretha Franklin, Pet Shop Boys, Burt Bacharach, Carole King, Amy Winehouse
Where to go next
Official
- Dusty Springfield, Rock and Roll Hall of Fame Her inductee page.
Reference
- Dusty Springfield A career history with discography and television appearances.
- 2020 National Recording Registry, Library of Congress The announcement that added Dusty in Memphis.
Discography and data
- Dusty Springfield, Official Charts Her British singles and albums chart history.
Writing and criticism
- Dusty Springfield obituary, The Guardian Richard Williams on her career, with a personal tribute by Penny Valentine.
- Obituary: Dusty Springfield, The Independent Chris Welch's obituary, March 1999.
- Fans' farewell to Dusty, BBC News Her funeral at Henley-on-Thames, with tributes from Lulu, Neil Tennant and Elvis Costello.
- Robert Christgau on Dusty in Memphis A 1973 column that describes how the album was made.
- The 200 best albums of the 1960s, Pitchfork Includes a Jillian Mapes entry on Dusty in Memphis.
- 500 Greatest Albums of All Time, Rolling Stone The Dusty in Memphis entry.
- 100 Greatest Singers of All Time, Rolling Stone Her entry, with comments from Shelby Lynne and Darlene Love.
- Dusty in Memphis, uDiscover Music A short account of the making of the album.
- Reluctant queen of blue-eyed soul, Literary Hub An excerpt from Jack Hamilton on Son of a Preacher Man.
- The Village People's YMCA is preserved for posterity, BBC News The 2020 registry additions, including Dusty in Memphis.
Sources
- Dusty Springfield, Wikipedia
- Dusty Springfield obituary, The Guardian (1999-03-04)
- Obituary: Dusty Springfield, The Independent (1999-03-03)
- Fans' farewell to Dusty, BBC News (1999-03-12)
- Robert Christgau, Newsday column, Robert Christgau (1973-02)
- The Look of Love (1967 song), Wikipedia