Gene Clark
The Byrds' principal early songwriter, who went on to make a run of solo records that sold poorly in his lifetime and have since been reappraised, above all White Light and No Other.
- Origin
- Tipton, Missouri, United States
- Years active
- 1963-1991
- Genres
- folk rock, country rock, psychedelic rock, baroque pop
- Labels
- Columbia, A&M, Asylum, RSO, Takoma, Rhino
- Also known as
- Harold Eugene Clark
The Byrds
Harold Eugene Clark was born in Tipton, Missouri, in 1944, the third of 13 children. He learned guitar and harmonica from his father and began writing songs at 11. After a spell with the New Christy Minstrels he moved to Los Angeles, where he met Jim (later Roger) McGuinn at the Troubadour. In early 1964 the two began assembling the band that became the Byrds.
Clark was the Byrds' principal songwriter until early 1966 and wrote many of their best-known originals of the period, among them I'll Feel a Whole Lot Better, She Don't Care About Time and Eight Miles High. He left in early 1966. The reasons included his disappointment that McGuinn sang the major singles, his dislike of travelling and a chronic fear of flying. Uncut recounts McGuinn's memory of Clark panicking on a plane at Los Angeles airport after the band had recorded Eight Miles High, and walking off it. Chris Hillman said years later that at one time Clark was the power in the Byrds, the songwriter with a gift the rest of them had not yet developed.
Solo, and country rock
Columbia signed him as a solo artist, and Gene Clark with the Gosdin Brothers came out in 1967. It was a failure, released almost at the same time as the Byrds' Younger Than Yesterday on the same label. In October 1967 he rejoined the Byrds for about three weeks and left after an anxiety attack in Minneapolis. In 1968 he signed to A&M and teamed up with the banjo player Doug Dillard. With Bernie Leadon, Dave Jackson and Don Beck they made The Fantastic Expedition of Dillard & Clark and a second album, Through the Morning, Through the Night. Neither sold well, but both are now regarded as seminal examples of country rock and progressive bluegrass.
Mendocino
Clark settled in northern California, and Uncut calls White Light, Roadmaster and No Other a visionary trilogy. White Light was produced by Jesse Ed Davis, mostly acoustic and intimate, and it was praised but sold only in the Netherlands, where critics voted it album of the year. Roadmaster was assembled from unreleased A&M sessions and appeared only in the Netherlands at first.
After the 1973 Byrds reunion album, David Geffen signed him to Asylum. No Other was written over more than a year at his coastal home, then recorded in Los Angeles with producer Thomas Jefferson Kaye and a crowd of session musicians and backing singers. It cost over $100,000 and held eight songs, among them Life's Greatest Fool, Silver Raven and the eight-minute Some Misunderstanding. Geffen was unhappy, Asylum did little to promote it, and it was out of the catalogue by 1976.
Afterwards
Two Sides to Every Story followed in 1977 on RSO. In 1979 he joined McGuinn and Chris Hillman for McGuinn, Clark & Hillman, then made Firebyrd (1984) and So Rebellious a Lover with Carla Olson. In January 1991 the original Byrds performed together at their induction into the Rock and Roll Hall of Fame, where they played his I'll Feel a Whole Lot Better. Clark died on 24 May 1991, aged 46. Others kept taking up his songs: Tom Petty covered I'll Feel a Whole Lot Better on Full Moon Fever in 1989, and in 2007 Robert Plant and Alison Krauss recorded Polly Come Home and Through the Morning, Through the Night on Raising Sand.
No Other was reissued on CD in 2003 and again by 4AD in November 2019, in formats up to a box set with a documentary, The Byrd Who Flew Alone. In January 2014 members of Beach House, Fleet Foxes, Grizzly Bear and other bands, with Iain Matthews, performed the album from start to finish over four shows. The Guardian's David Bennun wrote that it eventually became synonymous with the phrase lost masterpiece, and Pitchfork gave the 2019 reissue 9.3 out of 10.
Records
- Gene Clark with the Gosdin Brothers 1967 · Columbia
The first solo album, with country and baroque touches, overshadowed on release by the Byrds' Younger Than Yesterday.
- The Fantastic Expedition of Dillard & Clark 1968 · A&M
The country rock and bluegrass record Clark made with banjo player Doug Dillard and Bernie Leadon.
- White Light 1971 · A&M
A spare, mostly acoustic second solo album, produced by Jesse Ed Davis, that sold only in the Netherlands.
- Roadmaster 1973 · A&M
A collection of unreleased A&M sessions that came out only in the Netherlands at first.
- No Other 1974 · Asylum
The lavish Asylum album that cost over $100,000, held eight songs, was ignored on release and is now ranked among the great lost records.
- Two Sides to Every Story 1977 · RSO
The follow-up to No Other: a country rock set that Clark later called his best album, alongside No Other.
Songs
- Life's Greatest Fool No Other · 1974
The opening song of No Other, with a gospel choir behind a galloping backbeat.
- Silver Raven No Other · 1974
A haunting song that Clark first played at the Troubadour while working with Roger McGuinn.
- No Other No Other · 1974
The title track, a funk and gospel flavoured piece that stands apart in Clark's catalogue.
- Strength of Strings No Other · 1974
A song on No Other, later covered by This Mortal Coil.
- Some Misunderstanding No Other · 1974
The eight-minute centrepiece of No Other.
- The Virgin White Light · 1971
The opening track of White Light.
Related artists
The Byrds, Roger McGuinn, Chris Hillman, This Mortal Coil, Jesse Ed Davis
Where to go next
Reference
- Gene Clark on Wikipedia Career overview from the New Christy Minstrels to the Rock and Roll Hall of Fame.
- White Light on Wikipedia Personnel, recording dates and reception for the 1971 album.
- No Other on Wikipedia Production, release, reissues and legacy of the 1974 album.
- Intervention Records: White Light CD/SACD The label's page for its 2018 reissue of White Light.
Discography and data
- Gene Clark discography Studio albums, live albums, compilations and singles with labels and months.
Writing and criticism
- Gene Clark: 10 of the best David Bennun's ten-track guide to Clark's career, in the Guardian.
- Pitchfork on the No Other reissue Andy Beta's review of the 2019 box set, with song-by-song detail.
- Rolling Stone on the No Other reissue David Browne on the deluxe reissue and the outtakes.
- Los Angeles Times on the No Other reissue Randall Roberts on the recording and the 2019 reissue.
- The Quietus: Gene Clark's No Other revisited David Bennun's revised 1995 essay on discovering the album.
- The Arts Desk on the No Other box set A review of the box set that quotes from its book.
- Pitchfork news: the No Other tour The 2013 announcement of the four tribute shows, with dates and line-up.
- Guardian: Beach House tour Gene Clark's No Other The same announcement, with a statement from Beach House.
- Burlington County Times: Gene Clark, high-flying Byrd A 2016 appreciation of Clark's career.
Interviews
- Uncut: the Gene Clark story A 2008 feature told through Clark's friends and former bandmates.
Live performance archives
- Line of Best Fit: Gene Clark No Other Band live A review of the tribute band at the End of the Road festival, 2014.
Sources
- Gene Clark, Wikipedia
- Gene Clark discography, Wikipedia
- Gene Clark - 10 of the best, The Guardian (2016-09-28)
- Gene Clark - No Other, Pitchfork (2019-11-14)
- Gene Clark: the genius and insanity, Uncut (2008-05)
- Beach House spearhead project to tour Gene Clark's No Other album, The Guardian (2013-12-04)