Butthole Surfers
A Texan noise-rock band formed in San Antonio in 1981, known for strobe-lit shows and the 1987 album Locust Abortion Technician.
- Origin
- San Antonio, Texas, United States
- Years active
- 1981-present
- Genres
- psychedelic rock, noise rock, punk rock
- Labels
- Alternative Tentacles, Touch and Go, Rough Trade, Capitol, Latino Buggerveil
San Antonio
Butthole Surfers formed in San Antonio, Texas, in 1981 around singer Gibby Haynes and guitarist Paul Leary, who met at Trinity University. Haynes was captain of the basketball team and the school's Accountant of the Year, while Leary worked on an MBA and was also an art major. In 1981 they published a magazine, Strange V.D., that paired photographs of medical ailments with invented explanations. Leary told The Guardian in 2024: "Our first couple of shows were performance art with music as a background."
Jello Biafra saw them in San Francisco and and Alternative Tentacles offered to reimburse studio time. The result was the Butthole Surfers EP, released in July 1983. King Coffey was the last of several drummers on that EP, and Teresa Nervosa soon joined as a second drummer, the two playing in unison on separate stand-up kits. Psychic... Powerless... Another Man's Sac followed in December 1984 on Touch and Go. The next record, Rembrandt Pussyhorse, was meant for Alternative Tentacles too, but the label delayed for nearly a year and then refused it. It came out on Touch and Go on 18 April 1986, and John Doran of The Quietus called it "an album for the ages" in 2024.
Winterville
After years on the road, the band rented a small two-bedroom house in Winterville, a town outside Athens, Georgia, and bought an eight-track tape machine and a pair of microphones. Leary described recording "cows in the field or playing guitar or one drum at a time," and said: "It was fun to be off the road." Jeff Pinkus made his debut on bass and Nervosa returned, and the work became Locust Abortion Technician, released in March 1987 and the first Butthole Surfers album made outside a professional studio. Leary believes the cheaper gear pushed them to be more inventive.
The album runs from the Black Sabbath parody Sweat Loaf to the pop of Human Cannonball, with a second take of Graveyard in between. It was the first full-length to feature Haynes's Gibbytronix vocal effects. The closer, 22 Going On 23, reached number 44 in John Peel's 1987 Festive Fifty and brought the band wider attention in Britain. Pitchfork placed the album at number 189 on its 2018 list of the best albums of the 1980s, and Kurt Cobain listed it in his top 50 albums.
Hairway to Steven (April 1988) was recorded at January Sound in Dallas, with the band playing songs they had performed for years. It leaned on acoustic guitar for the first time and was issued with a cartoon in place of each song title.
The live show
The concerts were the other half of the work. Strobe lights, smoke and several film projectors showing surgery and accident footage filled the stage, Haynes set a cymbal alight, and Coffey and Nervosa drummed in unison. The performer Kathleen Lynch danced naked with the band from 1986 to 1989. Leary told The Guardian in 2024: "People would be running out of our shows throwing up." Nervosa left in early 1989, and the band's own Latino Buggerveil label began with the live album Double Live that year.
Capitol and after
After the 1989 EP Widowermaker the band moved from Touch and Go to Rough Trade for piouhgd (April 1991) and were invited to the first Lollapalooza that summer. In 1992 they signed to Capitol. Independent Worm Saloon (1993), produced by John Paul Jones, brought Who Was in My Room Last Night?, which reached number 24 on Billboard's Modern Rock Tracks chart. Electriclarryland followed on 6 May 1996, reached 31 on the Billboard 200 and was certified gold, led by Pepper, which topped the Modern Rock chart. Weird Revolution (August 2001) reached 130. Latino Buggerveil had reissued the four Touch and Go albums in 1999, and Matador began a new reissue series in 2024.
The band was on hiatus by 2016, though the classic lineup toured in 2008. A documentary, The Hole Truth and Nothing Butt, directed by Tom Stern, premiered at South by Southwest on 12 March 2025. That September Haynes, Leary, Coffey and Pinkus played a short set together in Los Angeles, and in December Human Cannonball was heard in the final season of Stranger Things.
Members
- Gibby Haynes vocals, rhythm guitar, saxophone, bass, keyboards, effects (1981-present)
- Paul Leary lead guitar, bass, vocals, keyboards (1981-present)
- King Coffey drums (1982-present)
- Jeff Pinkus bass (1986-1994, 2008-present)
- Teresa Nervosa drums (1983-1985, 1986-1989, 2008-2009)
Records
- Psychic... Powerless... Another Man's Sac 1984 · Touch and Go
The first album on Touch and Go, and the studio debut of Teresa Nervosa.
- Rembrandt Pussyhorse 1986 · Touch and Go
The second album, first meant for Alternative Tentacles, which delayed it for nearly a year.
- Locust Abortion Technician 1987 · Touch and Go
The third album, made on an old eight-track in a rented house after years on the road.
- Hairway to Steven 1988 · Touch and Go
A spoonerism of Stairway to Heaven, released without song titles.
- Electriclarryland 1996 · Capitol
The seventh album, home of the hit Pepper.
Songs
- Sweat Loaf Locust Abortion Technician · 1987
A warped take on Black Sabbath's Sweet Leaf that opens Locust Abortion Technician.
- 22 Going On 23 Locust Abortion Technician · 1987
The closing track, built on a radio talk show that Leary taped one night in Georgia.
- Human Cannonball Locust Abortion Technician · 1987
The pop song that closes side one of Locust Abortion Technician.
- Graveyard Locust Abortion Technician · 1987
Heard twice on Locust Abortion Technician, first slowed and warped, then played more straight.
- Pepper Electriclarryland · 1996
The 1996 single that topped Billboard's Modern Rock Tracks chart.
Related artists
Melvins, Orbital, Ministry, Sonic Youth, Black Sabbath
Where to go next
Official
- Butthole Surfers The band's own website.
Reference
- Butthole Surfers Encyclopedia article on the band.
- Independent Worm Saloon Encyclopedia article on the 1993 Capitol album produced by John Paul Jones.
- Who Was in My Room Last Night? Encyclopedia article on the 1993 single and its video.
Writing and criticism
- Reissue Of The Week: Rembrandt Pussyhorse John Doran reviews the 2024 Matador reissues.
- Cinema As Enema: Butthole Surfers On Film A look at the band's screen appearances, from Bar-B-Que Movie onward.
- Noise rock in 1986 A survey of the year's noise rock that includes Rembrandt Pussyhorse.
- What Does Regret Mean? book review The Quietus on the 2019 coffee table book about the band.
- The 200 Best Albums of the 1980s Pitchfork's list, with the entry for Locust Abortion Technician at number 189.
- Butthole Surfers launch vinyl reissue campaign with Matador News of the 2024 reissues, with an essay by Byron Coley.
Interviews
- The Day Of The Locust: Paul Leary Interviewed Leary talks to The Quietus about making Locust Abortion Technician, track by track.
- The weird, wild world of Butthole Surfers Leary, Coffey and Haynes look back on the early years as Matador begins its reissues.
Live performance archives
- Live at Olympic Auditorium, 16 November 1984 A concert recording in the Internet Archive's live music collection.
Sources
- Butthole Surfers, Wikipedia
- The Day Of The Locust: Paul Leary Of The Butthole Surfers Interviewed, The Quietus (2017-03-20)
- 'It was like we'd signed up for a cult': the weird, wild world of Butthole Surfers, The Guardian (2024-03-25)
- The 200 Best Albums of the 1980s, Pitchfork (2018-09-10)
- Butthole Surfers launch vinyl reissue campaign with Matador Records, Pitchfork (2024-01-24)
- Reissue Of The Week: Butthole Surfers' Rembrandt Pussyhorse, The Quietus (2024)